Dr. Seuss and Dr. Seuss Enterprises profited profoundly off of the sales of this book, it’s Broadway rendition, the Horton Hears a Who! movie (which grossed $297 million dollars) and associated merchandise. None of it went to the Japanese community, including those still impacted by cancer and leukemia from the atomic bomb blasts. Dr. Seuss never directly apologized for his anti-Japanese work and this book doesn’t hold up as a meaningful, indirect one.
I’ve had the privilege of working with Katie Ishizuka-Stephens, Executive Director of The Conscious Kid Library. She is also Japanese American and her parents were forced into internment camps during WWII. This makes us both sensitive to the dehumanizing racism against Japanese-Americans during WWII that allowed the American public to accept putting innocent civilians into concentration camps in which Dr. Seuss’s political cartoons played a large role.
She found me when I posted on The Racist Side of Dr. Seuss That You Didn’t Know About. We both objected to the National Education Association’s (NEA) Read Across America’s choice of using Dr. Seuss as the featured author.
Now there is a Dr. Seuss museum that is opening near me in Springfield, MA. There are no plans to include Dr. Seuss’s racist political cartoons as part of his legacy. The museum is carefully orchestrating hiding this side of Dr. Seuss that no one knows about. Ostensibly, their excuse is that they don’t have any original political cartoons of his, and the artwork featured is all original. This is not a very high hurdle given that Dr. Seuss’ sad political cartoons have no market. Read more…