March is Women’s History Month so I’ve started off with a video of a musician that is new to me, Hazel Dorothy Scott, a jazz prodigy who was prominent during the 1930s and 1940s. I could not find a picture book biography on her (yet) but here’s hoping that someone will write out. In the meantime, below the video I’ve rounded up picture book biographies of other women who paved the way in music. Have I missed any? Please let me know and I’ll add! Thank you!
Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian-born jazz and classical pianist and singer; she also performed as herself in several films.
Born in Port of Spain, Hazel was taken at the age of four by her mother to New York. Recognized early as a musical prodigy, Scott was given scholarships from the age of eight to study at the Juilliard School. She began performing in a jazz band in her teens and was performing on radio at age 16.
She was prominent as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first woman of color to have her own TV show, The Hazel Scott Show, featuring a variety of entertainment. from Wikipedia
Picture Book Biographies about African-American Pioneering Female Musicians
If you get a chance to read all these picture book biographies, one notable similarity for all these musical prodigies was the support of their family and sometimes, community as well. It does take commitment on the part of the parents to provide instrument, lessons and encouragement.
I thought that I would put these books into chronological order by when each woman was born, thus showing what they faced and how, if any, attitudes changed. In a perfect world, these women would have met each other and formed a support group for each other. In a way, each woman helped the others succeed, with most of them encountering the same barriers to success that included racism. I hope learning about these remarkable women will inspire kids to reach high and pursue their performing dreams, even if it seems impossible.
Elizabeth Cotten (born 1893)
Libba: The Magnificent Musical Life of Elizabeth Cotten by Laura Veirs, illustrated by Tatyana Fazlalizadeh
Singer-songwriter Laura Veirs leaned about Libba as a young child when her father played “Freight Train” on his guitar. A self-taught musician and the granddaughter of freed slaves, Elizabeth Cotten played guitar upside down and backward because she was left handed. When the demands of raising her family took her away from music, a chance encounter with Pete Seeger’s wife allowed her musical talent to flourish, but that didn’t happen until Libba was a grandmother. As a testimony to “it’s never too late,” Libba went on to record and perform. Her composition, “Freight Train,” is considered to be one of the most famous folk songs today. She wrote that song at age twelve! [picture book, ages 4 and up]
Florence Mills (born 1895)
Harlem’s Little Blackbird by Renee Watson, illustrated by Christian Robinson
The daughter of former slaves, Florence Mills grew up in a teeny-tiny house in Washington D.C. Though she won many medals for her singing and dancing abilities, her opportunities were limited because of the color of her skin. Her family moved to New York City where she and her sisters performed as the Mills Sisters trio in venues that included Harlem’s Lincoln Theatre. The Harlem Renaissance brought jazz music to the forefront, and Florence’s singing and dancing roles introduced jazz to white audiences. Eventually, Florence became an international star and she used her fame to fight for equal rights.
Perhaps it’s because no recordings or film of her performances exist that most of us have never heard of Florence Mills but this charming picture book brings her accomplishments to life. As one of the first African American women to make it on Broadway, Florence Mill’s story is a beacon of inspiration of how the performing arts can change how people think. [picture book, ages 4 and up]
Marian Anderson (born 1897)
When Marian Sang: The True Recital of Marian Anderson by Pam Muñoz Ryan, illustrated by Brian Selznick
Marian Anderson was the first African American singer to perform at the Metropolitan Opera House, overcoming racism that she faced during her entire career, most notably in 1939 when Howard University in Washington D.C. tried to book a venue for her concert. After being turned down due to White Performers Only policies, it took protest from the first lady of the United States, Eleanor Roosevelt to get her a stage at the Lincoln Memorial on Easter Sunday. A reluctant activist, Marian nonetheless, broke color barriers setting the stage for others including Leontyne Price. This biography pairs wonderfully with Leontyne Price: Voice of a Century. [advanced picture book, ages 8 and up]
Lillian Hardin Armstrong (born 1898)
Born to Swing: Lil Hardin Armstrong’s Life in Jazz by Mara Rockliff, illustrated by Michele Wood
The Nonfiction Detectives have a great review:
Lillian Hardin Armstrong came to the music scene when only men played music professionally. As a young girl she studied music, but when she heard jazz, that was it. While working as the piano player for the New Orleans Creole Jazz Band, she met a fellow from New Orleans…Louis Armstrong. They married and would write together, play together, and formed a band, The Hot Five, and recorded together. [picture book biography, ages 7 and up]
Josephine Baker (born 1906)
Jazz Age Josephine: Dancer, singer–who’s that, who? Why, that’s MISS Josephine Baker, to you! by Jonah Winter, illustrated by Marjorie Priceman
Jazz Age Josephine tells her story in rollicking rhyme from her humble beginnings to her rise to fame in Europe. Her first break was in New York City at just 15 year sold where she performed in Blackface, an insult to her race. At just 19 years old, Josephine moved to Paris where she became wildly popular for both her singing and dancing talents. She also devoted much of her life to fighting racism. [picture book, ages 4 and up]
Josephine: The Dazzling Life of Josephine Baker by Patricia Hruby Powell, illustrated by Christian Robinson
This is an interesting advanced picture book in chapters. It’s perfect for kids who want a more in depth look at Josephine Baker’s life. Told in free verse with exuberant illustrations by Caldecott honored illustrator Christian Robinson, this book probably works best read in stages due to the length. [picture book in chapters, ages 8 and up]
Mary Lou Williams (born 1910)
The Little Piano Girl: The Story of Mary Lou Williams, Jazz Legend by Amy Ingalls and Maryann Macdonald, illustrated by Giselle Potter
Mary and her family moved from Atlanta to Pittsburgh where they were welcomed with a brick thrown through their window. Mary’s reaction to racism was to play the “bad sounds” out with music, even though she had to play on a tabletop. It was fortuitous that a neighbor let Mary play on her piano one day and her musical gift was discovered. The “little piano girl” was then requested to perform all over the neighborhood and beyond. She became the most famous jazz musician of all time, and used her abilities to help develop the talents of others including Charlie Parker, Thelonious Monk, and Dizzy Gillespie. [picture book, ages 4 and up]
Billie Holiday (born 1915)
Mister and Lady Day: Billie Holiday and the Dog Who Loved Her by Amy Novesky, illustrated by Vanessa Brantley Newton
Billie Holiday was one the greatest jazz singers of all time. She didn’t have a huge voice, but one that was marked with sorrow and heartfelt emotion. Her childhood was difficult and her adult life, tumultuous. One positive constant in her life, though, was her dogs. This picture book focuses on Lady Day’s relationship with her dogs, particularly her favorite one, Mister, a Boxer. Mister’s devotion to Billie and her deep affection for him as well creates a loving lens in which to view Lady Day’s life. [picture book, ages 6 and up]
Ella Fitzgerald (born 1917)
Skit-Scat Raggedy Cat: Ella Fitzgerald by Roxane Orgill, illustrated by Sean Qualls
Ella was thirteen during the Great Depression growing up in Yonkers, New York. Still, her singing and dancing skills garnered coins for her street performances, even more than the shoeshine boys! When Ella was fourteen, her mother died and she was sent to live with her aunt in Harlem. It was a tough transition, but it got worse. She ended up in an orphanage on the Hudson River which she ran away from, and then lived on the streets of Harlem. When she was seventeen, she performed during Amateur Night at the new Apollo Theater and won first prize. She won first prize again at The Harlem Opera House’s Amateur Night. Soon everyone was talking about Ella. She joined the Chick Webb band and by twenty-one she was a star.
Orgill captures Ella Fitzgerald’s rise from raggedy cat street urchin to the Queen of Jazz. In particular, her words convey Ella’s beguiling combination of determined adult and guileless child. In learning about her tumultuous early life makes the reader appreciate just how difficult Ella Fitzgerald’s rise to stardom truly was. [advanced picture book, ages 6 and up]
Hazel Dorothy Scott (born 1920)
Millo Castro Zaldarriaga (born 1920s)
Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle, illustrated by Rafael López
The Drum Dream Girl is of Chinese-African-Cuban mixed race ancestry and all these cultures inspire her to drum. The dragon dance drummers of her Chinese ancestors. The conga, bongó and timbales that come from her Latin and African roots and the rhythms beckon to her. Her sisters invite her to join their all-girl dance band but her father says that only boys should play drums. Until he changes his mind and finds her a teacher that will teach girls that helps her unlock her talent. Now, when people hear her play drums, everyone agrees that girls should always be allowed to play drums.
Told in lyrical free verse, Margarita Engle tells an inspiring story for girls everywhere that they should be able to be anything they want to be. Just like the Drum Dream Girl! [picture book, ages 4 and up]
Melba Doretta Liston (born 1926)
Little Melba and Her Big Trombone by Katheryn Russell-Brown, illustrated by Frank Morrison
When Melba was just 7 years old, she fell in love with a trombone and begged her mother to get it for her. This is not really the perfect instrument for a small girl, but Melba’s Grandpa John gave her a few lessons and she kept at it. By the time she was 8 years old, she was good enough that a local radio station invited her to perform a solo. The Great Depression forced Melba and her mother to move to Los Angeles and by the time she was 17 years old, Melba was touring the country with a new band. She traveled with Billie Holiday in the South where the racism she faced almost caused her to quit the trombone, but luckily she did not. Melba Liston was a composer, arranger and performer of prodigious talent and is considered a jazz virtuoso. [picture book, age 4 and up]
Leontyne Price (born 1927)
Leontyne Price: Voice of a Century by Carole Boston Weatherford, illustrated by Raul Colon
During a time when the stage was limited to African-American performers, Leontyne Price became the first black singer to star at La Scala in Italy. She starred on Broadway as well, in sold out performances of Porgy and Bess. But her voice was trained for opera and that stage was the hardest to crack because of the color of her skin. Following the footsteps of Marian Anderson, the first black singer to perform at the Metropolitan Opera House, Leontyne was finally able to perform as the lead in Il Trovatore in 1955. Other honors that Leontyne achieved included first black opera singer to perform on television, the recipient of more than a dozen Grammy awards, and the Presidential Medal of Freedom. Leontyne Price was a pioneer who helped other African-American opera singers find acceptance on the stage. This is a picture book to celebrate how the support of family and a rare gift can allow a young girl to rise above racism. [picture book, ages 6 and up]
Nina Simone (born 1933)
Nina: Jazz Legend and Civil-Rights Activist Nina Simone by Alice Brière-Haquet, illustrated by Bruno Liance
The notes of the piano explained it all to Nina. “The white notes are whole notes and the black keys are flats, or half notes. … Yes, that’s the way it was. White was whole. Black was half. It was that way everywhere and for everyone.
Nina used her gift as a musician to protest against what seemed like an immutable fact though to her music had no color. When she was twelve years old, she was asked to give a concert at her church. Her mom sat in the front row proudly, but when white people arrived, she had to get up. Nina protested this injustice by refusing to play until her mom returned to her original seat. Young, gifted and black Nina Simone is a role model to show that talent can also be used to speak out against racism. [picture book, ages 4 and up]
p.s. PickyKidPix likes to watch YouTube videos of child prodigies and she turned me on to African-American cellist prodigy Sujari Britt, just 12 years old. I think there may be a picture book about her one day!
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